Making Modal Chord Progressions From Crucial Scale Harmony 1643103198

Making Modal Chord Progressions From Crucial Scale Harmony

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Play the two scales C major and The on your keyboard. Listen in particularly your way the 1st, 3rd, 5th scale degrees solid. They sound very long-standing.
Thisis because they comprise a Tonic chord (C, E, G in C major) or (A, C, E in A minor). 2, 4, 6, 7 are unstable and they lead for the closest stable degrees.

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G to a = whole step; A to b = whole; B to C = half; C to D = whole, D to E = whole, E to F = fifty %! This is where we’d like to make a whole holding chamber.
Wewill sharp F to raise it 1 / 2 step help to make it our needed whole step, which will deliver us our needed half step from F# to G. The G scale has one sharp:
F#.

Right hand – beginning with the 6th. finger on B flat, the fingering is 412312343213214 (don’t forget to hit E flat, i.e. the black note below E, alongside with your
3rd.finger).

There you have it! A simple yet very efficient way additional medications modal chord progressions. Practice making these for all modes in the Major scale and
youwill truly educate yourself on the sound every and every mode and the way to apply people.